2023: 1 (Vol 12)
Cover Page, and Max Ryynänen, Editorial (1)
Stefán Snaevarr, Björk: The Rousseau of Rock (1-26)
Ivana Stojanović Prelević, Meliorism and Excess Aesthetics (56-69)
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2022: 2 (Vol 11)
POPULAR CULTURE AND FEMINISM
Editors of the Issue: Dominika Czakon, Stefano Marino and Natalia Anna Michna
(Download full issue here.)
Dominika Czakon, Stefano Marino and Natalia Anna Michna, “Editorial,” Including Table of Contents, 1-3
Federica Muzzarelli, “Annemarie Schwarzenbach as a Woman Photographer and a Fashion Icon: Gender Politics and Anti-Nazi Resistance,” 4-31
Danae Ioannou, “Women As Open Wounds: Fear, Desire, Disgust and the Ideal Feminine in the Works of Alexander McQueen and John Galliano,” 32-47
Stefano Marino, “Popular Music, Feminism and the “Power of the Body” in the Performance: Some Remarks on Adorno, Shusterman and Pearl Jam,” 48-69
Abigail Klassen, “Too Queer To Be Queer: Revisiting the Metaphysics and Epistemology of Asexuality,” 70-91
Maria Grazia Turri, “Kindness Is The Antidote To A Male Chauvinist World,” 92-112
Valentina Antoniol and Stefano Marino, “Critical Theory, Feminism and Popular Culture: Interview with Marina Calloni,” 113-123
Chiara Tessariol, “Feminism and Fashion: Interview with Eugenia Paulicelli,” 124-134
Anna Preti and Francesca Todeschini, “Women, Art and Photography: Interview with Federica Muzzarelli,” 135-137
2022:1 (Vol 10)
LIBER AMICORUM FOR ARNOLD BERLEANT (download the whole issue as one PDF here)
Editors of the Issue: Mădălina Diaconu and Max Ryynänen
Mădălina Diaconu and Max Ryynänen, “Editorial: Liber Amicorum for Arnold Berleant,” Including Table of Contents, 1-5
Arnold Berleant, “Duchampian Reflections on Descartes,” 6-10
Lilianna Bieszczad, “Can Arnold Berleant’s Aesthetics of Engagement be Applied to “Conceptual Dance”? Experience as Engaged Participation,” 11-24
Nathalie Blanc, “Negative / Positive: Women in Action,” 25-33
Emily Brady, “Learning from Aesthetics of Engagement,” 34-39
John Carvalho, “Engagement and Embodiment: For Arnold Berleant on his Ninetieth Birthday,” 40-46
Wangheng Chen, “Arnold Berleant: Guide to My Research on Environmental Aesthetics,” 47-57
Xiangzhan Cheng, “A Critical Reflection on Arnold Berleant’s Ideas on Ecological Aesthetics,” 58-63
Mădălina Diaconu, “Enjoyment - Fulfilment - Survival: On the Value of Art and Beauty for Life,” 64-78
Jale Erzen, “Arnold Berleant - A Life for Nature and for Art,” 79-83
Thomas Leddy, “Berleant as Educator,” 84-96
Aleksandra Łukaszewicz, “Master of the Art, Life and Philosophy,” 97-102
Katya Mandoki, “An Asynchronous Dialogue on Core Ideas,” 103-111
Giovanni Matteucci, “The Aesthetic Field: Arnold Berleant’s Philosophy as a New Understanding of Experience,” 112-125
Mara Miller, “The Ways of Bogs, Mires and Marshlands: Myths, Symbols, and Knowledge,” 126-142
Michael Musalek, Guenda Bernegger and Oliver Scheibenbogen, “Social Aesthetics and Mental Health,” 143-152
Ossi Naukkarinen, “Making the World Bigger,” 153-156
Max Ryynänen, “Well-Construed Examples: A Shy Note on Arnold Berleant’s Environmental Aesthetics,” 157-162
Maryvonne Saison, “Arnold Berleant - Maurice Merleau-Ponty - Mikel Dufrenne,” 163-169
Yuriko Saito, “Aesthetics and Ethics of Relationality: Philosophies of Arnold Berleant and Watsuji Tetsurō Compared,” 170-184
Mateusz Salwa, “Landscape, Phenomenology, and Aesthetics,” 185-196
Yrjö Sepänmaa, “Peace With Nature, Peace in the Creation! An Ethically and Aesthetically Durable Nature Relationship,” 197-205
Wolfgang Welsch, “Nature Versus Culture?,” 205-218
2021:2 (Vol 9)
Forgotten Everydays, Guest Editors of the Issue: Elisabetta Di Stefano, Carsten Friberg, with Max Ryynänen.
Elisabetta Di Stefano, Carsten Friberg and Max Ryynänen, “Editorial: Forgotten Everydays,” 1-4.
Lisa Giombini and Marta Benenti, “Cultural Tourism: Authenticity, Engagement and the Everyday,” 5-21.
Enea Bianchi, “Philosophies of Archery,” 22-37.
Petteri Enroth, “Challenging Everydays: On Precarity in Everyday Aesthetics,” 38-52.
Dana Svorova, “Drugsworld: Altered Perception of Aesthetic Dimension in Everyday Life,” 53-66.
Elisabetta Di Stefano, “Carceral Aesthetics: Art and Everyday Life in Prison,” 67-77.
&
Cars, Guest Editor: Scott Andrew Elliott.
Scott Andrew Elliott, “Shell, Shelter and Surface: The Transformative Aesthetics of Cars,” 78-88.
Angela Cope, “Colour Pops, New Car Smells: The Feminization of Saran Before Saran Wrap,” 89-101.
Megan Green, “The Motor Vehicle: A Musing on the Aesthetics of the Canadian Oils Sands,” 102-118.
(Review) Dušan Milenković, “The Changing Social Economy of Art: Are the Arts Becoming Less Exclusive?” (Hans Abbing), 119-129.
Supplement: Jondi Keane, “The Opal City or Opacity: The Red Book of the Car”
2021:1 (Vol 8)
Narrative Modes: Conspiracy Theories, Fake News, Post-Truths, New World Orders, Negation Theories and Infodemics. Guest Editor of the Issue: Paco Barragán.
Paco Barragán, “Editorial,” 2-3.
Andrea Mecacci, “Storytelling Hyperreality,” 4-11.
Paco Barragán, “I Don’t Care About the Truth, Tell Me A Good Story: Narrativity as Discourse, Credibility as Condition,” 12-29.
Roman Horbyk, Isabel Löfgren, Yana Prymachenko & Cheryll Soriano, “Fake News as Meta-Mimesis: Imitative Genres and Storytelling in the Philippines, Brazil, Russia and Ukraine,” 30-54.
Siim Sorokin, ““No Theory Holds Together:” Suspicion, Its Plotters, and the Patterns of Imaginative Reason in (Re-)Conceptualizing Digital Conspiracist Discourse,” 55-75.
Maria Teresa Russo, ““I, Myself am the Media.” The Aesthetics of the Self and Its Narrative Modes in the Echo-Sphere,” 76-88.
Saara Mahbouba, “Restructuring Reality: Narratives of Work and Identity,” 89-105.
Paola Jalili, “Office Aesthetics: Narratives Around Contemporary Labor Through Representations of Office Spaces,” 106-119.
Maribel Castro Díaz, “Behind Closed Doors: From Facts to Narratives in the Photographic Works of Taryn Simon and Thomas Demand,” 120-132.
Manuel González de Ávila, “On Narrative Hypersign and Feminine Imaginary: Audrey Flack’s Photorealism,” 133-140.
Yalili Mora, “New World Order: Visual Essay,” 141-153.
REVIEW: Maja Bak Herrie on Jacob Lund and Ulrik Schmidt (eds.) (2020): Medieæstetik - en introduktion, “Studying Media From the Middle of Things,” 154-158.
2020: 2 (Vol 7)
Max Ryynänen, “Editorial,” 1.
Yvonne Förster, “Emergent Technologies Between Phenomenology and Poststructuralism: A Methodological Question,” 2-13.
Michaela Pašteková, “Dance Movement as the Saviour of the Routine In the Pandemic Era,” 14-21.
Paolo Euron, “Half-Nakes Bodies in Anime and Western Culture Industry: Intercultural Remarks on the Aesthetics of Transgression,” 22-37.
C.J.W.-L. Wee, “Bland Modernity, Kitsch and Reflections on the Aesthetic Production in Singapore,” 38-47.
REVIEW: Dorian Batycka on Mike Watson: Can the Left Learn to Meme?, “The Work of Art in the Age of Memetic Reproduction,” 48-53.
2020: 1 (Vol 6)
21st ICA Meets Popular Inquiry, Issue Editors: Boško Drobnjak (University of Belgrade) and Miško Šuvaković (Singidunum University): (whole issue here as PDF)
Boško Drobnjak and Miško Šuvaković, “Editorial: 21st ICA Meets Popular Inquiry,” 1.
Dušan Milenković, “Understated Significance of Form in Gracyk’s Aesthetics of Popular Music,” 2-13.
Fuminori Akiba, “Aesthetics of Japanese Convenience Stores: From the Point of “Eating Alone”,” 14-27.
Maxim Demchuk, “Deconstruction of Melody and Rhythm as Aesthetic Elements of Contemporary Popular Music (The Case of Kanye West’s Album “Yeezus”",” 28-33.
Aleš Čakalić, “Tragedy and Farce in Dušan Kovačević’s Post-Yugoslav Screenplays,” 34-43.
Yumi Kim Takenaka, “The Family of Man in Japan: A Photographic Exhibition for World Peace and Atomic Culture in the 1950s,” 44-55.
REVIEW: Yvonne Förster, “Of Conceptual Roots and Future Visions of Philosophical Posthumanism,” Francesca Ferrando, Philosophical Posthumanism (2019), 56-60.
REVIEW: Sumati Yadav, “From Public to Publics to Purveyors,” Marcel Danesi, Popular Culture, Introductory Perspectives (4th Edition), 61-63.
COVID EXTRA: Jozef Kovalcik & Max Ryynänen, “Gazing at the Invisible"
2019: 2 (Vol 5)
Jozef Kovalčik and Max Ryynänen, “Editorial,” 1.
Aleksi Vauhkonen, “Within Walls - The Fictional Audience of Professional Wrestling,” 2-11.
Mari Nieves Vergara, “The Kaleidoscopic Experience Within Every-Day-Life: On Authorship, Intertextual Narrative, Stream of Consciousness, and Multifractality,” 12-22.
Juha Torvinen and Susanna Välimäki, “Stockhausen’s Helicopter String Quartet and the Challenge of Conceptual Music,” 23-42.
Lenka Lee, “New Beauty: Between Hipsters and Folklore,” 43-52.
Danai Anagnostou, “To Address Femininity via Studying Below-The-Line Film Labour Practices,” 53-59 (Essay).
2019: 1 (Vol 4), Special Issue: APPEARANCES OF THE POLITICAL ANTHOLOGY, Noora-Helena Korpelainen, Olivia Glasser and Emily Aiava (eds)
Raine Aiava, “On Arriving: Introduction to the Appearances of the Political Anthology,” 1-8.
Carsten Friberg, “Political Aesthetics: A Philosophical Introduction,” 9-25.
Elisabetta Di Stefano, “The Power of the Gift: A Perspective of Political Aesthetics,” 26-35.
Tomasz Ferenc, “War Monuments as Vehicles of Memory and Activators of Social Actions,” 36-46.
Aniruddha Gupté, “Synthesizing Solutions: An Exploration of the Modern Relevance of Socialist Design Principles Through the Medium of Plastic,” 47-63.
2018: 2 (Vol 3), Special Issue AESTHETICS GOES POP, Adam Andrzejewski and Mateusz Salwa (eds)
Adam Andrzejewski and Mateusz Salwa, “Editorial: Aesthetics Goes Pop!,” 1-2.
Karan August, “When Barbie Gets Tattoos; Does the Increasing Popularity of Tattoos and Tattooing Impact Their Aesthetic Value,” 3-17.
Andrea Mecacci, “Aesthetics of Trash. Short Overview,” 18-24.
James Hamilton, “Arts & Ents,” 25-38.
Ashley Watkins, “Gone But Not Forgotten: Atmospheres, Death, and Aesthetics of Goth,” 39-61.
Sue Spaid, “Bellissima: Reassessing Access to Redress Mass Art,” 62-74.
David Collins, “Going Nowhere Fast: Associative Structure and the Absence of Causal Narrative Progression in Loren Cass,” 75-97.
2018: 1 (Vol 2)
Jozef Kovalčik and Max Ryynänen, “Editorial: Devils, Angels and Other Popular Figures,” 1
Sini Mononen, “When A Stranger Calls: An Acousmatic Stalker Character and Sonic Representation of Fear,” 2-25.
Carlos Arenas, “H.R. Giger: Seul Avec La Nuit / Alone with the Night: A Giger Exhibition in Nantes,” 26-31 (Review).
Yvonne Förster, “From Digital Skins to Digital Flesh: Understanding Technology Through Fashion,” 32-44.
Louis Chude-Sokei, “Dr. Satan’s Echo Chamber: Reggae, Technology and the Diaspora Process,” 45-60 (Classic; Essay; Republication)
Max Ryynänen, “Low Theory and Crazy White Men. An Interview with Jack Halberstam,” 61-68.
2017: 1 (Vol 1)
Jozef Kovalčik and Max Ryynänen, “Editorial,” 1-2
Ossi Naukkarinen, “Aesthetics of Popular Culture as Environmental Aesthetics,” 3-15
Adam Adrzejewski, “Beauty Revealed in Silence: Ways of Aesthetization in Hannibal (2013-2015),” 15-33.
Heidi S. Kosonen and Susanne C. Ylönen, “Between Mourning and Ridicule: The Odd Phenomenon of “Hodoorstops”,” 34-60.-
